When she was seven years old, her brother fell to his death at Grand Teton National Park. Perhaps as a result, Briggs probes with curiosity and intensity those facets of human life that we often seek to closet. She attended Utah State University where she received her BFA, continuing her education at the University of Iowa where she received her MA as well as her MFA. The artist finds her subject in the narco-violence that plagues Ciudad Juárez and in an asylum built by a visionary on the outskirts of this Mexican border city. Briggs explores the daily adaptations made by the citizens of the narco-battered borderlands. She renders them in her native amalgam of classic and contemporary imagery and oblique narratives coaxed from European art history. In her persistent way, all of Briggs’ work finds a way to link our contemporary anxieties, desires, and expectations with those of the art historical past. Her visual quotations from Albrecht Durer, Hans Holbein, Hendrik Goltzius, and others meld seemingly incongruent worlds into the singular time and place of her drawings.